Showing posts with label published writing. Show all posts
Showing posts with label published writing. Show all posts

Wednesday, October 15, 2008

Published: Two Reviews in ArtVoices

Due to the soaring costs of fuel (and basically everything else on the planet), the latest issue ArtVoices magazine comes in limited supply and is vanishing rapidly. Solomon Projects, for instance, is already out.

To save you the frustration, I've provided my two Atlanta reviews here in facsimile:

Jody Fausett at Whitespace Gallery

Kathryn Refi at Solomon Projects

I'm in the second column. Toward the middle. ::: )

Photo by Michelle Elmore, who owns a new gallery in New Orleans. A friend once suggested that gold teeth were a symbol of the city, and, curious, Elmore decided to find as many as she could. Luv that facial hair...

ArtVoices is based in New Orleans, where big things are coming together as we speak, including the international arts shindig, Prospect.1. They're calling it a biennial, so add one more to the growing list.

(I assume each subsequent expo will be called Prospect.2, 3, 4, ad nauseam. Is that such a good idea?)

Anyone planning a trip to NOLA? It starts the weekend of Nov. 1.

Tuesday, July 01, 2008

Addenda (1)

Change Come by Michi and Dosa Kim.

I was horrified to discover this weekend that very few people know about my in-print review of Michi and Dosa Kim's show at Beep Beep Gallery.

So, yes, the review does exist. Clicking on this excerpt will take you to the full text:
Compare that to Change Come, one of the other big paintings. Here, the two artists achieve a much more eloquent synthesis. Although it competes with the outrageous appeal of Stay Cool Br’er, this particular image—with its snarling hulk-of-a-rabbit and his stylish rooster companion—was probably the biggest visual success of the show. Br’er Rabbit is rendered in an opaque, greenish-black, applied distinctly by Kim. But what could have been solid areas of paint are reduced in size, strategically, leaving only these slashing tendrils of tar. The remedy allows you to see Michi’s abstract colors and patterns through the veins of Kim’s monster.
I checked at Eyedrum this weekend, and I'm sure there are 11 or 12 remaining copies of FALSE.

Beep Beep Gallery was kind enough to display the article on their back wall. There, my writing now rubs shoulders with that of our dear Jerry Cullum and Felicia Feaster (formerly of CL).

Enjoy.

::: )

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