"What We Endanger..."

Linda Hall, Bird Watching Suit for My Cat, Toby.

Conjuring Change.

Nick Cave Suit for My Cat, Toby.

Crow Stomach.

Animals Connect Us.

The Beast in Me
Young Blood Gallery
9.6.08 - 9.28.08

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Details: Group Seven

Group Seven:
An "exquisite corpse" by eight local sculptors.
Whitespace Gallery
8.15.08 – 8.30.08

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Folk Art Market

The International Folk Art Market.

Railyard District

Panel 1 of Navy/Army/Airforce (triptych) by Shen Jingdong.



Detroit, Michigan, photograph by Eric Smith.


Pork Chop Suey - Oinktoberfest (detail), lithograph by Tom Huck.

Lowbrow New Mexico

Paint and mixed-media by Chas Banks.


Paintings by J. Ward.



Abstracts by Aaron Czerny.

From Quiet 2 - Borrowed Spaces
@ PROOF Modern Art. 

7.11.08

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On/Off/Out of SITE (Santa Fe)

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Feeding Desire

@ Whitespace Gallery.
6.26.08 - 8.9.08

: )

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Too Holy May Not Enter

Samuel Parker: a solo show at Young Blood's newly opened location on North Highland. Amazingly, the gallery gets pretty silent once you take away the live DJ...

A multi-scene banner spanned the length of the wall, hanging just above Sam's smaller drawings. This "scene" alludes to the political philosophy of Jean Baudrillard, author of Simulacra and Simulation.

This one, on the other hand, is sandwiched in between the adjacent scenes of "Fishes" and "Pigs." ...FIGHS!! ...Get it!?

The caption here, in similarly ironic fashion, mentions another theorist of consumer society: Guy Debord, a founder of French Situationism. Does this add up?

Sam Parker, Too Holy May Not Enter.

And what about the smaller drawings?
What are we trying to say?

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